LIN YUXIN is a visual designer and installation artist, currently pursuing an MFA at the City University of Hong Kong. Her creative practice spans a variety of media, including installation, video, and performance, rather than adhering to a single material or form. Through these mediums, she explores the social issues arising from the tension between local culture and modernization, as well as the diverse psychological states of individuals navigating a changing environment. Often incorporating natural elements such as sand and stones, she seeks to evoke a simple, accessible artistic experience that resonates with viewers on an intuitive level.
林雨歆是視覺設計師與裝置藝術家,目前就读于香港城市大學MFA。她的作品不局限於使用同種材料與形式,裝置、影像、行為表演都在她的創作範圍内。通過這些媒介她探索着本土文化與現代化沖突所引發的社會問題,以及環境變化下人們的不同心理狀態。自然事物例如沙子、石頭等是她經常使用的,她希望這些日常之物能給予人們簡單易懂的藝術感受。

 








Education

Xiamen University Tan Kah Kee College                               Xiamen, China                                                                  
B.F.A Visual Communication Design                               
Sep. 2018 - Jun. 2022


HongKong City University
HongKong,China
M·F·A Master of Fine Art
Sep.2023 - Jun.2025
Exhibition

香港城市大学2025MFASHOW 窿窿罅罅 NOOK NOOK CRANNY HONGKONG China may.2025

City University 2024MFA SHOW WEAVING SPOT  Apr.2024

SonicTransitions 聲音穿梭 Hongkong China mar.2025

Multiple Temporalities:part one  Hongkong,China Nov.2024

Listening to the Earth: Sonifying planetary health ecologies, SPARK 2024 British Council Festival of Ideas   Hongkong, China
Oct.2024

新世紀全體新論 
THE GREAT MANUAL OF (POST) HUMAN ANATOMY 中心美术馆Center Museum Hangzhou, China sep.2024

新世紀全體新論 
THE GREAT MANUAL OF (POST) HUMAN ANATOMY 漢雅軒 Hanart TZ Gallery Hongkong, China Jul.2024

香港城市大学MFASHOW 纬度交织
City University 2024MFA SHOW WEAVING SPOT  Apr.2024

第二届不懂艺术节独立板块“土,土,土”
The 2nd Don't Know Art Festival, Independent Panel "Earth, Earth, Earth" Xiamen, China       Jan. 2024

散步闽南x红桃咖啡联合策展“海浪,海浪”
Waves, Waves", independent curatorial exhibition, Xiamen, China       Jul. 2023

第一届不懂艺术节独立板块“一个展开的立体认知”
The First What’s Art Festival, Independent Panel "An Unfolding Stereo Cognition" Xiamen, China       Jan.2023





Contact

E-mail: erzi202208@163.com

Wechat: erziiio

Instagram: linnnn0o




Home

Project
2022

The Intersection


    Art form: Interactive installation
Materials:coral, acrylic, audio, touch interaction module

Abstract:

Intersection, expressing the changes of the times with the waves, it washes new things on the beach and swept old things into the ocean, shells are like people in the trajectory of the times are powerless in the face of this huge energy, pushed forward or backward. Animals that survive expect to be washed up on the beach and breathe in the fresh air, while And the dead shells will gradually wear off in the waves; Just as in the current wave, people's self-will is slowly turning into ashes in the process of change. This is the era of the rapid development of the Internet and virtual technology, but also the era of homogenization and nihilism, young people are separated from the real world under the guidance of the media, and pan-information erodes the human spirit, until the self-consciousness dies, falling into the nothingness created by capital and the media. People need an opportunity to let go of the standard answers of all kinds of social media transmissions in their hands and, through nature, reconnect people with their own spirits.




Interactive video



Project
12/2022
Perfect  Intelligent


    Art form: Interactive installation
Materials: stone,rotary motor, exam paper

Abstract:

At the moment, education levels and status are considered equal; in fact, it is a false perfection of intelligence created by a combination of success theory and capitalism. Having an advanced degree is seen as a form of success, while those who have not obtained one are often discriminated against. The demand for intellectual perfection, hidden in society, families and even relationships, leads them into mental internal conflict. Young people need to be awakened to the fact that this is not the uniform standard that defines them and that they do not have to give up their individuality in order to achieve this absurd perfection.


The device on exhibition Waves Waves
The device on exhibition an unfolding steroganization


Project
08/2022
Item  God


    Art form: Interactive installation
Materials: TV, gravity sensing, garbage

Abstract:


Under the urging of capital, the original position of people and item has been reversed. "Valuable" objects have become people's admiration and possessiveness, while those worthless objects are like primitive worship objects that cannot fulfill people's wishes and are discarded because they do not possess "magical power".

The creation of "Item God" regards the waste originally at the bottom as a respected god, as a funny inversion, through the retrospect of history and the change of "position", combined with the combination of overwhelming promotional advertisements and traditional religion, form a mockery of capital and changing the timeliness of items from ideological stimulation.



Performance and interactive video
Project
08/2022

Skin  Hunger


    Art form: Interactive installation
Materials: TV, gravity sensing, garbage

Abstract:



Under the high pressure of contemporary society, the concept of celibacy prevails, and people have no time to pay attention to their psychological and physical needs. When skin hunger appears, it often leads people to a conflict with psychological needs and traditional ethics. Behind the skin hunger reflects people's process of shaping theirs personality. Through the movement of devices and mirror materials to guide people to face the needs from their deep inner self. Feel desire, touch it, and save it from darkness.








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