Xiamen University Tan Kah Kee College Xiamen, China
B.F.A Visual Communication Design
Sep. 2018 - Jun. 2022
HongKong City University
HongKong,China
M·F·A Master of Fine Art
Sep.2023 - Jun.2025
Shortlist, The 5th CGDA Graphic Design Academy Award
Bronze, Oriental Creative Star "Xiancheng Cup" Anti-fraud Promotion Theme Cultural and Creative Design Competition
Second Prize, The 9th National College Digital Art & Design Awards (Fujian Province)
Excellence Award, the 2020 National Advertising Art Design Competition for College Students (Fujian Province)
Shortlist, the 2020 Fujian Cultural & Creative Award
Second Prize, The 7th Cross-Strait College Students Vocational Skills Competition
First Prize, The 5th Alumni New Year Greeting Card Design Competition
Excellence Award for Nine Pieces of Works, National University & Middle School Student 8th Marine Culture Design Contest
Multiple Temporalities:part one Hongkong,China Nov.2024
Listening to the Earth: Sonifying planetary health ecologies, SPARK 2024 British Council Festival of Ideas Hongkong, China
Oct.2024
新世紀全體新論
THE GREAT MANUAL OF (POST) HUMAN ANATOMY 中心美术馆Center Museum Hangzhou, China sep.2024
新世紀全體新論
THE GREAT MANUAL OF (POST) HUMAN ANATOMY 漢雅軒 Hanart TZ Gallery Hongkong, China Jul.2024
香港城市大学MFASHOW 纬度交织
City University 2024MFA SHOW WEAVING SPOT Apr.2024
第二届不懂艺术节独立板块“土，土，土”
The 2nd Don't Know Art Festival, Independent Panel "Earth, Earth, Earth" Xiamen, China Jan. 2024
散步闽南x红桃咖啡联合策展“海浪，海浪”
Waves, Waves", independent curatorial exhibition, Xiamen, China Jul. 2023
第一届不懂艺术节独立板块“一个展开的立体认知”
The First What’s Art Festival, Independent Panel "An Unfolding Stereo Cognition" Xiamen, China Jan.2023
Contact
E-mail: erzi202208@163.com
Wechat: erziiio
Instagram: erzi_eeee
Home
11/2024
I'm What I eat
- Art form: Video
Abstract:
This is a fantasy about the body and food: I eat, therefore I am. Will the food consumed and absorbed into my body reshape me into a new self? What if it remains undigested—what would that be like? Through the sounds made by eating different foods and the image imitate their journey into my stomach, a new I emerges.
picture of the video
Project
01/2024
Unwelcome Intrusion
- Art form: Performance
- Materials: VR video
Abstract:
Living in this world, even briefly, makes it difficult to escape external influences. Whether on the streets, inside a room, or in any perceptible space, we find ourselves constantly intruded upon.
This intrusion is not a mere act of surveillance, but rather an invasive presence that we must endure as an inherent part of our existence.
It is the interference stemming from anything outside of ourselves. In the realm of this project, the artist immerses the audience by employing penetrating gazes, symbolizing the objects that potentially forge connections with the subject in real life.
please use mouse to interative
01/2024
Rusty Body
- Art form: Installation
- Materials: acrylic, rotary motor, iron
Abstract:
Efficient and modernized life is making my body rust little by little. Modern diseases are eating away at my body along with the act of being sedentary, but it is hard to get away from my desk, chair and computer, and with the urging of my boss and the concern of my mother, changing or continuing puts me in a dilemma.
This work is inspired by my deformed spine, Making vertebrae out of iron and giving them a rusty appearance, allowing the bones rub against each other to make an uncomfortable sound which is similar to an orthopedic surgeon makes when he presses my back and shoulders to the sides. After that, the bones briefly separate and close in an infinite loop, just like me, who knows that being sedentary is bad, but has never changed, Wallowing in both the desire to indulge myself and the fear of body deforming.
01/2024
A Part Of Meories
- Art form: Interactive installation
- Materials: stainless steel, Infrared Sensor Element
Abstract:
This installation records the primitive sounds of gravel, of hoeing, in the earth, earth, earth exhibition as part of the very first human feelings about the emotions of the land. When people pass by the installation, these sounds will be emitted from the cylinders, awakening the memories of the earth in the viewer's memory.
01/2024
- Art form: Photography and Projection
- Materials: canvas poster, projector
Abstract:
When I tried to walk barefoot on the ground, a strange feeling accompanied by pain irritated my skin and forced me to walk cautiously. Memories seemed to be activated, and the past and present seemed to be running through my eyes like a revolving lantern.
13mx5m
15cm x 10cm
59.4 cm x89.41 cm
01/2024
Embodied Internal View
- Art form: sculpture
- Materials: mirros,dirt,wire
Abstract:
Dirt was collected from the vicinity of the exhibit area, and a closer look reveals twigs and leaves mixed in. The wire is artificially placed in the soil to give the work a sharp feeling, and the mirror in the center guides the viewer to look downward to express the feeling that it is difficult to step on the soil with bare feet after living in the city for a long time.
12/2023
- Art form: Performance
- Time: 20 mins
- Materials: glass beads, iron wire,
glass bowl, microphone
Abstract:
This project explores the effects of nihilism on people in the context of accelerated modernization through performance. The artist binds and unbinds the glass beads and lets them fall freely. To express the principle embedded in nihilism: the disappearance of faith and the inevitable existence of nothingness.
Performance Process
12/2023
- Art form: Photography
- Technology: 3D scan & AR
Abstract:
We are the generation born in the millennium, and in this era of accelerating modernization, many things from the past are being eliminated along with modernization, such as theatre, dialects, the countryside, and so on, as cities continue to expand. In the short span of 20 years, I can exactly feel the distance between me and the land widening, and even when I think of "land", a sticky feeling comes to my mind. The feeling is like learning to wear socks when I wanted to walk barefoot. Maybe the thing associated with the city is the socks that won't come off.
AR Interactive
3D model
- Art form: Video game
- Technology: Processing
Abstract:
We are the generation born in the millennium, and in this era of accelerating modernization, many things from the past are being eliminated along with modernization, such as theatre, dialects, the countryside, and so on, as cities continue to expand. In the short span of 20 years, I can exactly feel the distance between me and the land widening, and even when I think of "land", a sticky feeling comes to my mind. The feeling is like learning to wear socks when I wanted to walk barefoot. Maybe the thing associated with the city is the socks that won't come off.
07/2023
- Art form: Interative installation
- Materials: glass, sand
Abstract:
Efficient life and work often make people hallucinate, forget that they are part of nature, and have little time to observe the essence of themselves, sand and glass although they have a completely different appearance, but in fact have the same component element "silica". The vibrating sand symbolizes the natural things ignored by people in daily life, as well as the self-awareness covered by high-pressure life and nihilism, which exists at our feet but rarely attracts our attention, and leads people to rethink the potential commonality between nature and self through the combination of glass towers and sand stones.
Interactive video
2022
- Art form: Interactive installation
Abstract:
Intersection, expressing the changes of the times with the waves, it washes new things on the beach and swept old things into the ocean, shells are like people in the trajectory of the times are powerless in the face of this huge energy, pushed forward or backward. Animals that survive expect to be washed up on the beach and breathe in the fresh air, while And the dead shells will gradually wear off in the waves; Just as in the current wave, people's self-will is slowly turning into ashes in the process of change. This is the era of the rapid development of the Internet and virtual technology, but also the era of homogenization and nihilism, young people are separated from the real world under the guidance of the media, and pan-information erodes the human spirit, until the self-consciousness dies, falling into the nothingness created by capital and the media. People need an opportunity to let go of the standard answers of all kinds of social media transmissions in their hands and, through nature, reconnect people with their own spirits.
Interactive video
12/2022
- Art form: Interactive installation
Abstract:
At the moment, education levels and status are considered equal; in fact, it is a false perfection of intelligence created by a combination of success theory and capitalism. Having an advanced degree is seen as a form of success, while those who have not obtained one are often discriminated against. The demand for intellectual perfection, hidden in society, families and even relationships, leads them into mental internal conflict. Young people need to be awakened to the fact that this is not the uniform standard that defines them and that they do not have to give up their individuality in order to achieve this absurd perfection.
08/2022
- Art form: Interactive installation
Abstract:
Under the urging of capital, the original position of people and item has been reversed. "Valuable" objects have become people's admiration and possessiveness, while those worthless objects are like primitive worship objects that cannot fulfill people's wishes and are discarded because they do not possess "magical power".
The creation of "Item God" regards the waste originally at the bottom as a respected god, as a funny inversion, through the retrospect of history and the change of "position", combined with the combination of overwhelming promotional advertisements and traditional religion, form a mockery of capital and changing the timeliness of items from ideological stimulation.
08/2022
- Art form: Interactive installation
Abstract:
Under the high pressure of contemporary society, the concept of celibacy prevails, and people have no time to pay attention to their psychological and physical needs. When skin hunger appears, it often leads people to a conflict with psychological needs and traditional ethics. Behind the skin hunger reflects people's process of shaping theirs personality. Through the movement of devices and mirror materials to guide people to face the needs from their deep inner self. Feel desire, touch it, and save it from darkness.
07/2024
THE GREAT MANUAL OF (POST) HUMAN ANATOMY
Hangzhou, China sep.2024
Time: 2024.07.13-2024.08.03
Address: Gulangyu Island, Xiamen, China
Artist: Lin Yuxin,Weng Shuo
Curating:Lin Yuxin
Address: Gulangyu Island, Xiamen, China
Artist: Lin Yuxin,Weng Shuo
Curating:Lin Yuxin
Abstract:
What is the relationship between contemporary youth and the land? Close, distant, or never met. Born in the millennium, we have witnessed the transformation of farmland into neighborhoods and seen rivers turn into roads. The pace of modernization is fast, so fast that we hardly ever walk barefoot on the land, but our hearts still secretly yearn for it. From the idyllic old poems in the language books, from the woods along the highway, from the TV sets showing Animal Crossing.In this regard, Walking Minnan named this exhibition with "earth, earth, earth", and used installation and video to explore the feelings of young people towards the land under the accelerated modernization.
01/2024
Earth,Earth,Earth
Time: 2023.12.29-2024.02.29
Address: Gulangyu Island, Xiamen, China
Artist: Lin Yuxin,Weng Shuo
Curating:Lin Yuxin
Address: Gulangyu Island, Xiamen, China
Artist: Lin Yuxin,Weng Shuo
Curating:Lin Yuxin
Abstract:
What is the relationship between contemporary youth and the land? Close, distant, or never met. Born in the millennium, we have witnessed the transformation of farmland into neighborhoods and seen rivers turn into roads. The pace of modernization is fast, so fast that we hardly ever walk barefoot on the land, but our hearts still secretly yearn for it. From the idyllic old poems in the language books, from the woods along the highway, from the TV sets showing Animal Crossing. In this regard, Walking Minnan named this exhibition with "earth, earth, earth", and used installation and video to explore the feelings of young people towards the land under the accelerated modernization.
Waves,Waves
2023.07.10-2024.08.10
Address: Xiamen, China
Artist: Lin Yuxin, Chen Kaijue, Xu Yanhua
Curating:Lin Yuxin
Address: Xiamen, China
Artist: Lin Yuxin, Chen Kaijue, Xu Yanhua
Curating:Lin Yuxin
Abstract
In this noisy world, we seem to be drawn into endless waves, moving forward or backward, gradually separating from the familiar 'truth'. Trees, flowers, rocks, and sand begin to blur in the waves. Perhaps returning to nature is a panacea for resolving this emptiness. Hokkien Walk Walk believe that there is a wonderful power calling out to our hearts. This exhibition will be based on the perspective of youth, exploring the inspiration of nature through interactive devices, and opening up new insights in the tide.
Interative installation
Lin Yuxin
Interative installation
Lin Yuxin
interative installation
Lin Yuxin
Photography
Chen Kaijue
Photography
Xu Yanhua
Photography
Lin Yuxin
An unfolding stereognosis
2022.12.31-2023.02.28
Address: Xiamen, China
Artist: Lin Yuxin, Xu Yiyi, Yang Longwen
Curating:Lin Yuxin, Xu Yiyi
Address: Xiamen, China
Artist: Lin Yuxin, Xu Yiyi, Yang Longwen
Curating:Lin Yuxin, Xu Yiyi
Abstract
Walking in the rapid change of technology and concepts, young people are rolling on the tip of the wave of changing times. We are a decentralized generation, with no absolute beliefs and no absolute belonging. In this world that is completely different from the past, how should the youth position themselves. Walking Minnan tries to analyze the situation of contemporary youth from three perspectives: change of the times, family microcosm, and individuality, and translates them into the space, building up a "three-dimensional cognition" of youth through interactive installations, photography, and fun interactions.
This exhibition contains three sections, ranging from the social environment to the family to the individual.
Interactive Installation
Lin Yuxin
Intactive sound installation
Lin Yuxin, Xu Yiyi
Photography
Yang Longwen
sculptural
Lin Yuxin, Xu Yiyi